Map 14

Meanwood Road – Your Road, My Street

In the book The Ongoing Moment Geoff Dyer asks an intriguing question. What is the difference between a road and a street?

“It is not a question of size (some urban streets are wider than country roads). A road heads out of town, while a street stays there, so you find roads in the country but not streets. If a street leads to a road, you are heading out of town. If a road turns into street, you are heading into town. Keep on it long enough and a road will turn into a street but not necessarily vice versa (a street can be an end in itself). Streets must have houses on either side of them to be streets. The best streets urge you to stay; the road is an endless incentive to leave.” Geoff Dyer, The Ongoing Moment. 2005, p 262-3

This is a map of Meanwood Road, which heads north out of Leeds. Roads slice up the city, separating the urban sprawl into different geographical areas, whilst simultaneously joining up one part with another. This road is no exception. For many it is simply seen as a means of getting from one place to another; a liminal space where cars have taken priority over people in a continual flow of traffic. Drivers look straight ahead, day and night, as they travel up and down it. But this road is also a street; it has houses on both sides. People live here. Cars are reverse-parked outside homes – much to the outrage of some commuters who have to stop; interrupted – while behind the morning rush hour, horses, deer and sheep can be seen on either side of Meanwood Beck, as it flows across the valley floor and filters into the city, uninterrupted and often unseen.

The map is a collaboration between photographer Lizzie Coombes, geographer Dr. David Dawson and 365LeedsStories’ Matthew Bellwood. Lizzie and David live at either end of Meanwood Road. The road, which is congested at rush hour and can suffer excessive speeding the rest of the time, has no cameras, and no structures in place to slow the traffic.

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Photography by Lizzie Coombes

The idea for this project came from a road rage incident when Lizzie was parking her car outside her house. Another car was forced to stop and wait – much to the annoyance of the driver – and choice words were exchanged. At first, Lizzie was annoyed. Couldn’t the motorist see the houses? Couldn’t they see that they were on a street with houses on both sides? Couldn’t they see that people lived on the road and appreciate its human value? But then she started to think a little harder… Of course, for many, the road is an important part of their daily commute. It’s hard to appreciate the beauty of a place, when you’re stuck in traffic or late for work… Surely there must be a way to make the road a safer and more pleasant place for residents, businesses, and commuters, be they in a car, on a bike, on the bus or on foot?

In response to this question, Lizzie has been taking photographs in and around Meanwood Road for the last three years in an effort to reveal its beauty, its history and humanity. Meanwhile, David has been collecting geographical data and information on the road and its surroundings that reveal a wealth of hidden facts and values. Alongside this, Matthew has been collecting stories from local people about their memories and experiences of the road as well as creating poetry from numerous walks up and down the length of it.

The result of the project is an alternative map of Meanwood Road that we hope starts to tell the story of the roads’ value beyond it being a means of getting from A to B. We hope it may provoke some interesting conversations and encourage people to think about the road in a different way. In doing so, perhaps it may act as a signpost towards future design initiatives – positive interventions in traffic and infrastructure that slow cars down; that get commuters to look left and right instead of straight ahead; that humanise the road and turn it back into a street.

If you would like a physical copy of the map, please feel free to contact us at:

53) 22nd February
The golden honey of the early morning sun warms the belly of a rabbit, both inside and out, as it lies on the grass at the road’s edge.


Since Autumn 2013, Alison Andrews and Matthew Bellwood are working with people from all over Leeds to create a series of maps of the city.

These will be produced in collaboration with a range of other artists. Maps will be sung, embroidered, floated down rivers, fixed on to buses and rendered as shadows. Each map will show the city from a different perspective.

secret fossils